The next update will add strong narrative RPG elements to Starsector, among other things.

I feel no small amount of trepidation because this is both a change and it is a particular story about particular characters in a way the pure sandbox certainly isn’t. This necessarily constrains your – the player’s – experience of the game-fantasy and the meta-game fantasy of an “unfinished game” which has the potential to become everyone’s dreams in a free-floating quantum state… until you see it for real and it turns out it isn’t quite what you dreamed.

I suppose this seems like an awfully negative way to start off; this is what I mean about trepidation. And I am legitimately excited about sharing more of the world of Starsector, letting players dive in a bit closer and get a feel for what it’s like for people that live in this world. Find out what they think, find out a bit more about why movers and shakers move like they do. If I may say so, I think we’ve done some pretty good work!

The written wordcount has already exceeded the minimum definition for a novel (50k) a few times over by now. I’ve attempted Nanowrimo a few times in the past and always choked almost instantly. My experience writing Starsector has been a stark contrast – the words just flow! It seems so obvious, most of the time, what comes next, what feels right to be said. I suspect part of it is the constraint of the medium focusing creativity, but it may also perhaps be the very clear connection to an audience (that’s y’all out there!). A novel feels a bit like a bunch of words floating out  in (ha) space. A game, however, has a player. They must actively engage and progress. I know a player is committed in a way a reader isn’t. (Which probably isn’t at all true; people read books, after all. I’ve even read one or two in my day.)

Whatever it is, maybe I can’t rationalize it. But something works here for me in a way that hasn’t elsewhere. I’ll take it.

Let’s get to the nuts and bolts of this.

We’ve had to deal with certain constraints and design problems while adding written content to Starsector. Some of these are faced by all games which use writing, some are particular to the context of Starsector. I am not going to talk about any specific narrative beats or plot details, but I will talk about how the narrative is structured, so from a certain point of view one could derive meta-spoilers from this blog post. I think the most pure and magical way to experience Starsector would be with no foreknowledge of any of this, so I’ll give you fair warning now: if you don’t want to know anything, stop reading.

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One of the bigger tasks for this release cycle has been adding new content into the game. Since a lot of it is story content – think the “Red Planet” mission, but on a bigger scale with things tying together and building up – it’s not something that I can really talk about without spoiling it.

But, not all the new missions are “story” missions. A lot of them missions are just new things you can do in the game, without being unique one-offs. Consider, for example, the current missions to scan a derelict, survey a planet, or collect a bounty – these new missions are all roughly along these lines, with of course more variety thrown in.

The question is, how do we make them available to the player?
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I’ve been working on a lot of content recently – some hand-crafted missions, new weapons (and ships), some endgame material, and so on. While that’s all terribly exciting, it unfortunately doesn’t leave me with a whole lot I can talk about without spoiling things. There is another feature I’m working up to – somewhere at the intersection of “mechanics” and “content”, a bit more the latter – that I’ll be able to talk about (at least, if it pans out), but that’s still a little ways off.

In the meantime, I thought I’d revisit some of the gifs I posted on twitter while working on a new set of weapons. (There are also ships that go with these weapons, but those are not to be talked about, I’m afraid. Hegemony COMSEC was quite clear on the subject.) I’ll also talk a bit more about the effects, so even if you’ve seen these already, there’ll be something new – and there may be one or two you might have missed, even if you’ve been following along!

First, a picture of the glorious mess these can produce when employed against a hapless Paragon. This is a bit over the top; I wouldn’t imagine things would look quite this extreme very often.

(Lest you think I hate Paragons, since they seem to be commonly used for target practice: it’s only because they’re the only thing sturdy enough, I swear.)

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I’d started out trying to add a story point option that would, to quote my TODO list, “make ground raids more of an early-game activity the player can engage in”. Some time later, I ended up with a total revamp of the ground-raid system, and no story point option. I promise, I can explain!

(If you’re unfamiliar with story points, see this blog post. In brief, they’re limited “do cool things” points that you’ll gain as you level up. Both the points and the cool things to spend them on will be in the next release.)

Now then, back to how this happened. Story points are not an end unto themselves – the goal of the TODO item was, after all, entirely about ground raids in the early game; story points were just a possible way to do it. So, the first thing I’d tried was letting the player use a story point to stage a “surprise” raid, with higher effectiveness. This means you don’t need as many marines to accomplish something useful, which in turn means you can do it earlier in the game. Technically correct (the best kind!), but also, doesn’t hold up.
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I’ve wanted to update the skill system for a while, but that’s part of the challenge with early-access style development – if you update something too early, you might have to update it again, when yet more things change and make that part not-quite-fit once more. With how many parts of the game the skill systems has tendrils into, it wasn’t something I wanted to do more than once.

Now, finally, the game is in a place where I can do that – I’ve got a good overview of what I actually want from the skill system, the number of unknowns is low, and most of the unknowns are probably known.

(Please note – some of the graphics and text in the screenshots to follow are placeholders.)

So, what are the goals of the skill overhaul? First and foremost, the skill system should increase the replay value of the game – that is, depending on what skills are picked, the player should be able to explore new ways to play the game.
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