You say it isn't the same, and then never explained why.
I did, however: I said the assumptions behind a statement were false because they rely on propositions of fact which are undesigned, unproven, and unintended.
I reread the rest of the post three times and not sure what is being said there, English isn't my first language but from my long time experience with it, it reads like mumbo jumbo to me.
I apologize; the language has to be very precise because, in my opinion, the core of the current wave of AI hype is based on sloppy use of language which inserts unproven and wildly irresponsible conclusions into the discussion.
Here's the statement I believe is incorrect: "AI art using image input then outputting other images" is the same as "an artist looking at images and creating work inspired by them".
My reasoning:
- an algorithm is not the same as a human artist; it literally has no brain, no mind, no consciousness, and no creativity
- when an algorithm "makes new work based on what it's seen", the underlying process is not the same as a human because it cannot "see", it cannot "learn", it cannot "remember", it cannot "be creative", etc.
- The result of these differences means that an image created by an algorithm and a human artist are legally and ethically distinct.
What I have seen is a lot of use of language which conflates - treats as the same - entities and processes that are fundamentally different. This is done in a way that precludes real and important questions about the results of those differences.
For example, does a human "see" in the same way as a camera? Yes and no.
Does a human learn through seeing in the same way a camera records images? Yes and no.
Can a human reproduce an image previously seen the same way a camera records images? Yes and no.
You can answer "yes" to these questions, but your answer is imprecise, and does not account for distinctions that may be important when given specific situations. To answer "yes" and use that answer as the basis for statements used to cover specific situations in which precise details become important is to make a statement based on false premises.
What does consciousness have to do with anything on this topic? Just because a human doesn't work off of an algorithm, one can be "massively inspired" by something and it's a-okay. But AI uses a tiny fraction of someone's work, mixing things into a cocktail and suddenly that's wrong.
I hope the preceding paragraph explains why consciousness is important.
To your comment: I didn't say anything was "wrong"; I said they were not the same. Human beings and machines have different rights. The output derived from a human being's mind versus the output of data collected by a machine are treated differently in both ethics and law. The laws are, admittedly, pretty bad and written by people who don't understand them half the time. Nonetheless, this is a real distinction.
To return to the argument I was making: Using the process of a human artist's work as an argument/example for how to treat the process of an image generating algorithm is an ethical/legal statement not based on correct assumptions.
To use a metaphor: A bird and an airplane both fly. But birds and airplanes are different.
- They use different processes to fly, which have very different inputs and outputs (bird seed vs. jet fuel) with very different effects on the world
- They originate from entirely different contexts and processes (birds are wild animals, jets are created machines owned by someone)
- Therefore, they should not, and are not treated the same ethically or legally, eg. government regulation of air travel vs. wildlife preserves
My proposal is that images created by artists are different from those created by algorithms using large datasets. The fact that both produce images is true, but it elides context which positions each image-producer into a huge number of distinct categories (ethically, legally, socially, artistically, etc).
For the 'pro AI art' crowd, I think a more productive argument - and one based in both fact and precedent - is to argue for image algorithms as a tool, like a camera. A camera does not itself
commit acts of creativity, but it does
record. The image-recordings produced by a camera can be changed creatively via human artistic input. Cameras and photographs also have a distinct ethical and legal position within our society - there are rules that apply to photographs that do not apply to images created solely by human effort.
Ok some artists will lose their jobs, so what? ...
You're introducing an argument speculating about ethical outcomes. I think it's better to stick to unpacking the assumptions of proposals through use of reference to to the existing status quo because it doesn't result in talk about ideal political outcomes (which tend to get unproductively contentious).